______Apart from Campo Fictício, Chico Lima is part of different collectives and collaborates independently in other projects of different artists.
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______Cia de Teatro Acidental was founded in 2009 during the acting bachelor course in Performing Arts at UNICAMP (Universidade Estadual de Campinas). Chico Lima was one of the founders and acted on Mahagonny (The Rise and Fall of the City of Mahagonny) [2010], a text by Bertolt Brecht directed by Marcelo Lazzaratto. After graduation, the group remained together and turned into a professional theater group. Currently, the group works in the city of São Paulo and has 2 pieces on its repertoire (O Que Você Realmente Está Fazendo é Esperar o Acidente Acontecer [2013] and E o Que Fizemos Foi Ficar Lá ou Algo Assim [2019]), also, there is a new creation premiere scheduled to premiere in 2021.
www.teatroacidental.com.br
O Rinoceronte (Rhinoceros)
Photo: Ezyê Moleda
O Que Você Realmente Está Fazendo É Esperar o Acidente Acontecer
(What You Are Really Doing Is Waiting for the Accident to Happen)
Photo: Cacá Bernardes
Mahagonny
Photo: Daniel Zimmermann
E o que Fizemos Foi Ficar Lá ou Algo Assim
(And What We Did Was Staying There or Something Like That)
Photo: Cacá Bernardes
______Grupo NUA is an artistic group that creates and researches within the field of voice&movement. Composed by the performers Carolina Holly, Chico Lima, São Yantó, Renata Dalmora, Talita Florêncio, and directed by Sao Yantó, NUA was founded in 2012 as a research group connected to Yantó's masters course in Scenical Arts, at UNICAMP (Universidade Federal de Campinas). From 2014, the group started to work and create inside the frame of site-specific art, creating the pieces Arquiteturas Sonoras #1 (Sound Architectures #1) , Arquiteturas Sonoras #2 (Sound Architectures #2), Arquiteturas Sonoras #3 - Memórias do Concreto (Sound Architectures #3 - Memoirs from Concrete) and RAMPA Arquiteturas Sonoras #4 (RAMP Sound Architectures #4). Chico Lima is part of Grupo NUA since 2014.
______Chico Lima is part of the projects of Carolina Bianchi y Cara de Cavalo since 2018, when he took part in the creation of LOBO (WOLF). In 2020, they've premiered O Tremor Magnífico (The Magnificent Tremor).

"The shows created by Carolina Bianchi y Cara de Cavalo consist of small worlds where one rides with a very own language. The scenes form a heap of insoluble equations, small pictures of horror and beauty, wet with sweat, exhausted from primordial ecstasy, where nothing is resolved, there are no solutions, and Eros' anguish always contemplates death. Death not as a finality, but as an inevitable part of the poetic journey: it is always necessary to say goodbye to something in order for a new thing to emerge." (from Carolina Bianchi y Cara de Cavalo's official website.
https://www.carolinabianchiycaradecavalo.com/
LOBO (WOLF)
Photo: Mayra Azzi
LOBO (WOLF)
Photo: Mayra Azzi
LOBO (WOLF)
Photo: Mayra Azzi
LOBO (WOLF)
Photo: Adriana Marchiori
LOBO (WOLF)
Photo: Adriana Marchiori
______Chico Lima lives in São Paulo city since 2010 and, from then on, has been collaborating in different works (theater, dance, performance) directed by different choreographers and directors such as Morena Nascimento, Andréia Yonashiro, Marcelo Lazzaratto, Cia Aberta de Dança and Lu Favoreto (Cia. 8 Nova Dança).
Arquiteturas Sonoras #1 (Sound Architectures #1)
Photo: Flavio Tito
Arquiteturas Sonoras #2 (Sound Architectures #2)
Photo: Leonardo Lin
Arquiteturas Sonoras #3 - Memórias do Concreto
(Sound Architectures #3 - Memoirs from Concrete)
Photo: Carolina Holly
RAMPA Arquiteturas Sonoras #4 (RAMP Sound Architectures #4)
Photo: São Yantó
Estudos para Clarabóia (Studies for Skylight)
Photo: Sandro Miano
Estudos para Clarabóia (Studies for Skylight)
Photo: Sandro Miano
ANTONIA. Como se em sua dança quisesse reinventar o exaustivo ciclo do nascer e morrer (ANTONIA. As if in it's dance it wanted to reinvent the exhausting cycle of being born and dying)
Photo: Mayra Azzi
ANTONIA. Como se em sua dança quisesse reinventar o exaustivo ciclo do nascer e morrer (ANTONIA. As if in it's dance it wanted to reinvent the exhausting cycle of being born and dying)
Photo: Mayra Azzi
Fandango a Céu Aberto (Fandango in the Open)
Photo:
Compêndio para Infância (Compendium for Childhood)
Photo: Cacá Bernardes
O Tremor Magnífico (The Magnificent Tremor)
Photo: Mayra Azzi
O Tremor Magnífico (The Magnificent Tremor)
Photo: Mayra Azzi
O Tremor Magnífico (The Magnificent Tremor)
Photo: Mayra Azzi
O Tremor Magnífico (The Magnificent Tremor)
Photo: Mayra Azzi